I’ve just driven the final sword into the black heart of Middle-earth: Shadow of Mordor (DLCs included). As the credits rolled, my mind wasn't lingering on the revenge plot or the fidelity to Tolkien’s legendarium. Instead, I found myself reflecting on how a title from 2014 still manages to school modern open-world games in the… Continue reading Shadow of Mordor Retrospective: The Predator Paradox and the Ballad of the Singer
Zera's Castle 